Being in that other side.
Oscar challenges us to consider the concept of “being on the other side.” He connects us to profound experiences that we all face. This idea has captivated him for an extended period. As a result, he engages in conversation about themes as decay, transformation and identity, influenced by both external forces and internal struggles. He translates his intimate experiences with loved ones onto the canvas, serving as a genuine (re)source. Oscar paints and interprets with an intuitive approach that is heartfelt and sincere, free from excessive embellishments, slightly primitive, and in its most pure form.
Intersections and relevance.
Oscars work is grounded in social and societal contexts, drawing connections to the practices of Nico Frijda. Additionally, it engages with the realm of psychopathology.
Art?
Oscar does not view his work as art in the traditional sense. While it is indeed a deliberate creation imbued with significance, he does not perceive it as overly artistic, exceptionally skillful, or extraordinarily visionary, nor does he consider it to achieve a sense of ultimate perfection. To him, these creations are simply paintings. But perhaps he's not fully appreciating the value of his own work...
Os. With a yell Oscar emerged into the world in 1966. To family, friends, and acquaintances, he is affectionately known as 'Os' and is now a dedicated full-time painter. He resides and works in the Rotterdam region of the Netherlands. After stepping away from a successful career in design, he turned his attention to developing a personal style in painting, and reinventing that style time by time. In a sense, he is largely self-taught. Oscar received his education at the Royal Academy of Arts in The Hague, where he completed his studies in graphic design in 1993.
